‘THE LAKE. THE NIGHT. THE CRICKETS. THE RAVINE. THE ATTIC. THE BASEMENT. THE TRAPDOOR. THE BABY. THE CROWD. THE NIGHT TRAIN. THE FOG HORN. THE SCYTHE. THE CARNIVAL. THE CAROUSEL. THE DWARF. THE MIRROR MAZE. THE SKELETON.’
Ray Bradbury used lists to spark off his ideas for writing. The one above was detailed by Maria Popova, on her excellent Brain Pickings blog. There can’t be many people with an interest in any creative process who aren’t aware of her inspirational posts: it’s like having an enthusiastic friend who calls to say “Wow! Have you see THIS?” and you know it’s worth reading.
Bradbury elaborates: ‘…when you get the list down, you begin to word-associate around it. You ask, Why did I put this word down? What does it mean to me? Why did I put this noun down and not some other word? Do this and you’re on your way to being a good writer.’
Just look at the words Bradbury’s subconscious throws up: a short story in themselves. Mine is more along the lines of THE CAT LITTER. THE WASHING. THE SHOPPING. THE DINNER. THE BANK. THE HOMEWORK. Someone save me from the tedium of my own thought processes. I can’t go on …
To be honest, that was a deliberate list. I didn’t use the unconscious processes most beneficial for triggering thought and associations. A look at the Weekly Blog Club summary up to remind myself of the optional theme: colour, and there’s mention of blue light and blue sky.
Blue. That’ll do nicely: ‘SEA. SKY. HARE. FLOWER. FILM. FALL.’
SEA. The sea in Folkestone can be the blue of postcards but this is rare. One of my favourite highlights of the last Folkestone Triennial was Spencer Finch’s The Colour of Water You can still see the colour wheel pictured above and spin it to choose that day’s Channel hue. The second part of the piece was only up for the duration: a daily-hoisted flag chosen to match that day’s sea-colour.
SKY. HARE. The picture of Mark Hearld’s “Pisanello’s Hare” here does not show the mouth-wateringly glorious blue of the sky captured in an original print. I’m lucky enough to own one of these and it’s the colour I see when I think ‘sky.’ It really deserves some Doge: ‘Such clear. Many cerulean. Wow.’
FLOWER. A blue hyacinth: from a bulb I planted in the little communal space downstairs and rescued after a hail-deluge this week. It scents the whole flat. In homage to Janet E Davis and her stunning still life paintings, I created Blue Hyacinth with Blue Heirlooms and Random Blue Washing-Up Liquid Bottle Lid. Unlike multi-talented Janet, I’ll never be an artist.
FILM: Blue, by Derek Jarman. I saw him introduce this hypnotic and unique film at Edinburgh in 1993 – not belong before his too-early death – at a screening with the Sisters of Perpetual Indulgence. Here’s one of Jarman’s last interviews, given at that time.
I’m 17, being followed by a drunk boy I don’t want to see, near the Road of Remembrance on the Leas in Folkestone (not far from the Spencer Finch work.) It’s the slope that some ten million soldiers marched down in two World Wars, to sail to Europe.
I tell him to go away. He says he will, if that’s what I really want, then swings himself backwards over a drop of at least 50 feet. His fall is broken by bushes of rosemary planted in memory of those soldiers. I remember screaming.
There are flashing blue lights: police and ambulance. Who called them? No mobile phones back then. ‘Did you push him?’ a policeman asks. I’m upset, angry: of course I didn’t.
We go to the hospital, miles from home, in which my father will die more than 34 years later.
I talk to a woman in a waiting room: we’re both from Folkestone. Her husband is being seen by doctors. He’s a workmate of the boy. His name is Blue.
Soon after, I’ll go to university. The boy will be forgotten.
Pics: Folkestone Triennial, St jude’s Gallery, WW1 Centennial Network